Does a broadcast camera like the Sony HXC-FB80KN look familiar to you? This is an archetypical live broadcast camera. If this is how you shoot, you may not gain the advantages of the ATEM Mini Pro for monitoring. Classic cinema/single-camera episodic shooting. Then you can light each angle perfectly, shoot the performance from one angle and then move the camera to shoot an alternative angle as the talent repeats their performance. This means working with professional actors or spokespeople who are skilled enough at learning and delivering lines and being able to repeat them a great number of times with relative accuracy. If it’s a narrative piece, these are most often shot with a single camera “film style” as we used to say. There’s something to be said for the speed and flexibility that shooting with two, three or four cameras offers that’s not possible with single-camera shooting. Do you ever shoot multiple cameras though? Besides live streaming, my business has lately been embracing the convenience and flexibility that comes with shooting multiple cameras. Perhaps if you only ever shoot single camera, you may not need the functionality that the ATEM Mini Pro provides. Why? It’s pretty simple: it’s too handy for its multi-view monitoring function. Even if you’ve never considered, aren’t presently and have no plans in the near future for live streaming, I still think you should consider spending $595 for the Blackmagic Design ATEM Mini Pro.
I have an interesting value proposition for you to consider about who should be using the ATEM Mini Pro. By now, you’ve probably read at least one of the pieces I’ve written for HDVideoPro or seen a YouTube video or read elsewhere about live streaming using the Blackmagic Design ATEM Mini Pro.
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